What made Sally Field a standout choice for "Smokey and the Bandit" despite her reputation as a serious actress after "Sybil"?

Question: What made Sally Field a standout choice for "Smokey and the Bandit" despite her reputation as a serious actress after "Sybil"?

The original budget for Smokey & The Bandit was $5.5 million. However the studio got cold feet and demanded that they give back $1 million, or the film wouldn’t get made. Burt Reynolds was the biggest cost in the budget and he would NOT take a pay cut. That left trimming down much of the story, some of the effects, and bringing stars like Sally Field and Jackie Gleason for “reasonable” amounts of money. At the time she was known for Sybil, Gidget and The Flying Nun, all of which played off her “innocence” not the fact that she was an attractive adult woman. Fields manager got her to take a budget wage and her Hollywood film career began in earnest.

She worked cheap.

There was this one weird Bollywood movie that was released in the 2000s. Amitabh Bachchan was starring with another actress and the story was about how the old guy (Amitabh Bachchan) fell in love with the young woman. What is the name of this movie?

Seriously.

I remember some of the movie reviews disparaging Field as not being “sexy” enough and her character being poorly written. However when you watch the film, you realize that Reynolds wouldn’t have played off a “sexpot” actor, nor would a more dramatic female actor have worked. Field “fit” the role as written and she demonstrated that again in the first sequel. Her career took off, her personal relationship with Reynolds began, and the rest is history.

Basically Sally Field fit the budget and that’s why she was hired and retained.

I’m wondering about attachment and transference with the therapist and the idea of escape and fantasy? How much do you think your strong feelings, constant thoughts, desires to be with your therapist are a way to escape from your present life? I wonder if the transference serves another purpose than to show us our wounds and/or past experiences, but is a present coping strategy for managing what we don’t want to face (even if unconsciously) in the present—-current relationships, life circumstances, etc. Can anyone relate to this concept of escape in relation to their therapy relationship? How does this play out for you?